I’m very excited to announce that anyone and everyone will soon be able to view my latest film “Nuclear Family” for FREE and online starting on Sunday June 17th 2012 (exactly 1 year from its last public screening). “Nuclear Family” is a film that has been a long road for me starting all the way back in August 2009 when I began to draft characters, summer 2010 when I wrote the script, Dec 2010-Jan 2011 when we shot the film, March 2011 when it screened for the first time publicly, and now, finally, June 2012: when it will finally be viewable online for anyone and everyone to see and share.
You might be wondering what has gone on with the film for the past ENTIRE YEAR since it was last seen publicly. Over the past year I have submitted Nuclear Family to 13 (unlucky, I know) Film Festivals across the US. During this process, its common practice to not let your film be publicly seen in case it does get accepted into a film festival. They want to have your ‘premiere’. Well, recently I heard back from the last one, and after 12 rejection letters, the 13th one didn’t really feel so bad. In fact, what I now feel most bad about is holding this film hostage on my computer for an entire year. It is a film I’m extremely proud of, and I don’t make films so that they can sit on my hard drive at home. I make films to share them with as many people as possible.
As a director, there’s a lot of control you have in making a film. One thing you can’t control is if your film will please the judges of film festivals and subsequently get a film festival run. In many ways, it can be luck of the draw. I’ve focused so much on getting the film seen by this abstract “them” (all the people who attend film festivals) that I’ve forgotten about “you”.
In the interest of keeping the sappiness level of this post somewhat low, I will sum up what I’m trying to say in a nutshell: I care about you. If you are reading this right now then you are supporting independent filmmaking and I want you to see this film and be able to share it with whomever you want. Love it or hate it, If you have any desire to see it, you should be able to.
Thank you for your support, and I sincerely hope you enjoy it. Check back on Sunday to watch “Nuclear Family”.
UPDATE: WATCH THE FULL FILM BELOW!!
It’s been a bit since I’ve updated about Nuclear Family – but the project continues to be my number one priority. Since the March 25th screening there have been a couple exciting things to have happened. Heres a nice quick-fire way to catch up:
April 23rd – Twitchfilm.com features an interview with me discussing the film (READ IT HERE)
After a lengthy discussion in a coffee shop in SF with film writer Michael Guillen, the interview was published to popular film site Twitchfilm.com
April 27th – Nuclear Family submitted to first film festival
it has since been submitted to a few other SF Bay Area prominent film fests. I won’t name names as to not jinx it.
May 24th – Nuclear Family now on IMDb (Check it out HERE)
Due to the submission process, Nuclear Family lands a page on IMDb!
June 1st – Brand new full-length trailer for Nuclear Family (Watch HERE or above)
A full length official trailer which reveals much more than the first ‘teaser trailer‘.
June 17th – A second FREE sneak peek screening of the film in SF (RSVP on Facebook HERE)
This will be the final screening of the film until it begins it’s festival run late this year.
So it’s once again the eve before a screening of “Nuclear Family”. I feel drastically different then I did before showing it the first time. For one, I’m not currently biting my nails with nerves about what people will think. Through the last couple months I’ve found a great deal of confidence with the film and personally cannot wait to show it a second (or third, or fourth…) time. This screening feels like another opportunity to let people see the film I’ve worked the hardest on and the one I feel most comfortable with. As I stated above, this is indeed the FINAL time I will be showing “Nuclear Family” publicly until it potentially makes it into the festival circuit this fall. There will be NO DVD RELEASE until sometime in 2012. This is simply because a DVD release disqualifies me from submitting to festivals. What all this means: If you wanna see “Nuclear Family” – this is gonna be your only for sure chance to see it until 2012.
FOR THOSE ATTENDING: make sure to show up early! I would suggest getting there around 6:30pm. The Viz is not large (seats about 150) and will fill up quick. At the previous screening it was full by 7pm – and this one is sure to be no different as there are more films and more people invited! Here is all the info you’ll need:
WHERE: Viz Cinema – 1746 Post St, SF (between Laguna and Webster) CLICK HERE FOR DIRECTIONS
WHEN: Friday June 17th 7pm-11pm
“Nuclear Family” will show with 6 other great short films – one of which, “Catch The Clock” (written and directed by Jaena Sta. Ana), is a film that I’ve been editing the last couple months. The film shares many of the same tonal qualities and themes as “Nuclear Family” so make sure to stick and around and check it out!
See you tomorrow!
Last night marked the first time “Nuclear Family” has been shown to anyone beyond a small handful of classmates – and the support for the film is quite simply overwhelming and humbling. Before discussing the night, I just want to thank every person that was able to come out last night and fill the Viz Cinema in SF’s Japan Town to the brim. Seats went quick, and many people stood through the whole screening. You guys made the night what it was. As I’ve said before, YOU all are the reason I make films. It’s for nights like last night.
Looking back on yesterday makes it feel like it was weeks ago. The anticipation and nerves before the screening made the day go by at a snail’s pace. As 7pm approached – the seats of the Viz Cinema began filling up extremely quick. By the time the films began the theater was completely filled and people were beginning to stand in the isles waiting eagerly to see the 5 short films of the night. From my end of things – my heart was racing, and I was clenching my plastic water bottle with extreme force. Yeah, I was pretty nervous.
The screening went on with a great crowd who was receptive to each film.
Between One and Two by Matt Rome – A love story of a couple who meet over the course of a night in SF
My Sherri by Carlo Barot – a twisted love tale almost void of dialogue. truly a visual film.
Forever, ATM by Wilfred Galila- A quirky tale of a man who falls in love with an ATM machine and in the process learns how to feel again.
Keeping it Reel by Dana Shaw- Four legendary San Francisco filmmakers examine the art of filmmaking and debate digital technology’s affect on their craft.
After the other four fantastic short films, Nuclear Family began playing on the screen and I immediately felt the strange sense of nerves and excitement reach the boiling point. Watching the film on the big screen was an extremely exciting and overwhelming experience. The audience responded well to the film, and it was a fascinating experience to see how certain moments of the film played off the audience.
When the film finished up there was a Q&A session, which I was pretty nervous about, but after a few questions was able to calm down and give more in-depth answers to the questions. Got asked things like where the film was shot, how many days it took to shoot, techniques I used for working with actors, the process from script to finished product, and if the film was autobiographical. After the Q&A I was able to talk with people on an individual basis about the film, and received a great amount of feedback about the film.
Last night was one of the best nights of my life. This movie is the closest to my heart of all my films, and to finally be able to share it with others is what I’ve wanted even since beginning to chart out the characters back in Summer 2009. It was inspiring to see so many people there, and receive so much positive feedback about the film. It makes me eagerly await the opportunity to create my next film.
For those unable to make it last night, there will be future opportunities to see the film. Most likely the next one will be in Mid-June. Check back to this blog for all the updates along the way. Last night is simply the first step to getting this film to the eyes of as many people as possible.
IF YOU ATTENDED THE SCREENING and would like to rate the film from 1-5 stars and optionally write a short review of the film – I strongly encourage you to do so. Simply click HERE and let people know what you thought!
My good friend Wilfred Galila and I have collaborated on many creative projects in the past year and beyond, and so I was very excited to have him on board to be the Director of Photography for ‘Nuclear Family‘. I knew he understood the concept of the film as much as I did which would make the imperative communication between director and DP that much easier. The whole process from initial conversations about the visual style I wanted to achieve, to now the final tweaks to color correction have been a smooth process – and one that has resulted in ‘Nuclear Family‘ looking the way I had imagined it back in the writing stages.
Wilfred answered some questions about the process of creating the ‘look’ of Nuclear Family, working with the Canon 7D, and the state of Digital Filmmaking:
Q: How would you describe the look of “Nuclear Family”?
The look of Nuclear Family is one of decadence that is almost devoid of soul. It is a watercolor sketch of the story that is told.
Q: How was this ‘look’ achieved?
It was achieved in different stages and through other cinematic elements such as production design and wardrobe. The house that was used as the location amazingly had the right color palette that worked to our full advantage. Dominic, who wrote and directed it, wanted some sort of desaturated look with a certain amount of contrast. By shooting it with this direction in mind and doing the appropriate color correction during post production we were able to achieve this look.
Q: Describe your process for conceptualizing how you were to visually approach this film.
By painting with watercolor in my mind. The frame is a piece of paper and the images appearing on it are, in some parts opaque and some parts transparent as with the consistency of mixing pigment with water.
Q: What thoughts and/or emotions motivated you during the creation of these images?
Watercolor as it is being absorbed on paper.
Q: How was your experience working with the Canon 7D?
Working with the Canon 7D was an interesting experience. I have worked with it on another project prior to shooting Nuclear Family and have become used to it since then. I’ve enjoyed filming with it and would use it again. At first I had to get used to shooting a moving image with a still camera. Not that this process was something that was entirely new to me. It also included getting used to the shape of the camera. I have been used to shooting moving images with cameras specifically made for shooting motion pictures. It was a paradigm shift.
The usual answer would be that I enjoyed shooting the whole film and while this is true, there are a couple of scenes that come to mind right away because they were also, at the same time, an adventure. One is the opening scene in the car. We shot this with a mount for the camera that we stuck to the hood of the car using the suction cups that came with it. I have never done this before and I thought to myself that with a camera that size, I guess suction cups would suffice. We shot the master shot and a couple of close ups of this scene in several takes. The car with the actors and the camera stuck to its hood followed another car where I was with my camera operator riding in its open trunk. During every take we would try not to imagine the camera falling off the hood of the car. That car mount rig worked really well in the end. Another scene is the one that involved non-human subjects in the form of a beetle and a caterpillar and Dominic has already told this story before.
Q: Has this project offered any new challenges to you as a Cinematographer?
Yes, the challenge of coming up and achieving the look that is specific to this film.
Q: What is your take on the current Digital Revolution of Cinema?
I do not know if we should call it a revolution if what it means is to revolt. To revolt against what? A certain medium of telling our stories? Then we would just be revolting against our heritage. If what is meant by this revolution is a change in ways then I would rightfully call it the Digital Evolution. We are evolving in our ways of telling our stories through the medium of the moving image. Advancements in technology have given us access to an alternative medium. A medium that is also readily available to anyone who can afford to buy the equipment. Just as oil paint in tubes made painting accessible to the masses or roll film made photography available to everyone. We do have to remember that these are just media that are at our disposal and that the plethora of choices that is available to everyone does not make the entire planet full of Picassos nor does the accessibility and supposed easy nature of digital filmmaking has spawned a million Kubricks. On the other hand, and this can be the only thing that is worthy of the term revolution, this accessibility to the digital medium, including the internet, has freed the storyteller from the clutches of the powers that be that regulate the stories and dreams that each and everyone of us could potentially share and have access to. Finally real stories can be told and a myriad of dreams can be shared. Whether the medium is film, digital video, or, possibly in the future, holography; as we evolve with our ways of telling our stories it should always hearken back to our purpose of sitting around the fire to listen, to see, and gain insights into what it is to be a human being.
Q: Having seen a close-to final cut of the film, do you have a favorite shot and/or scene from the film visually speaking?
I really like, what I would call, the cerebral interludes of the main character in the film. The juxtaposition and layering of images that instantly makes sense.
As of today I will begin to update this blog as a way to communicate the entire process of the making of my next film “Nuclear Family” from Pre-Production, Production, and Post-Production I will keep you informed every step of the way and deliver insight into the filmmaking process along the way. You’re probably asking yourself ‘but Dominic, what the hell is Nuclear Family?’ Well It’s pretty reasonable that you don’t know, so just take a deep breath and let me tell you the basics:
A Short Dark Comedy Written and Directed by Dominic Mercurio
Coming Spring 2011
Nuclear Family is a short (15 -20 min) dark comedy / social satire about a 16-year-old boy named Marc Benheimer living in the modern American upper class. As the emotional distance from the family he was raised by grows, he finds solitude in music. After tradegy strikes the Benheimer family – Henry and Ezra, the parents of Marc, buy a comforting distraction: a brand new limited edition grand piano to fill out the aesthetics of their living room. Marc is told he is not allowed to touch the piano, but what’s really on Marc’s mind is what would happen if he began to deconstruct the walls of his family’s values.
The film, which is currently undergoing some final tweaks to the script, weaves themes of belonging, artistic passion, and monetary value into a twisted presentation of modern satire set in the upper class lifestyle in America. That picture you see above is the house that we will be shooting in.
This is my Senior Thesis project for my Bachelors Degree in Digital Film and Video Production at The Art Institute of CA – SF. I will be Writing, Directing, and Editing this film and will set off into production with an extremely talented crew of fellow local filmmakers from The Art Institute and beyond. The film will be shot with the leading camera in the current Digital Revolution of Cinema – the Canon 7D. I cannot tell you how excited I am to make this film and share with you the process. My goal for this project is to far exceed the quality of all my other films and present to you a film that will not only make you laugh, but also contemplate. Thanks for your interest, and I hope you’ll check back soon.