Favorite ALBUMS, SONGS, MUSIC VIDEOS & MOVIES of 2012
This massive blog is the result of me being unable to decide whether I wanted to make a list of my favorite music OR movies for 2012. Usually I just pick one because putting everything I love into one post always seems like it would just take too long, but, alas, it has happened. Why? No reason. Well the reason is mostly because I’m just kinda OCD or something. Regardless, here are my favorite ALBUMS, SONGS, MUSIC VIDEOS, & MOVIES of 2012.
THE BEST 10 ALBUMS OF 2012
1. Grizzly Bear – Shields
Grizzly Bear has always had a knack for incredible songwriting, well sequenced albums, and intricate musicianship – but Shields is the absolute culmination of everything that makes Grizzly Bear excellent and it’s their best album yet. Singer Ed Droste bends his voice into a rawer territory here by often stripping back the layers of vocals to let one take stand stark among the musical landscape. The result is a more human and honest approach to the usual hazed multi-colored production of the Grizzly Bear sound. Just about everything in this album is a step up from their previous efforts. A somber yet grandiose album punctuated by an incredible display of letting things have more space when its needed make this my absolute favorite album of 2012.
2. Fiona Apple – The Idler Wheel…
Fiona is notorious for long periods of time between her albums. She often states that you can’t write if you don’t just live and experience things. The wait for “The Idler Wheel…” was the longest between any of her albums, but the result is her best work yet. This is venomous, daring, brutally honest, gloves are fucking off Fiona – and it totally rules. Stripped down to the core, these songs place Fiona’s vocals front and center and she contorts her vocal cords through emotional and expertly written honest songs. The albums stark honesty feels like you just snuck into her room and flipped through the diary tucked away in her drawer. The albums twisted and wild loosely hand-drawn colorful image on the cover couldn’t summarize the album more. The album is intimate, fresh, intense, and badass. When I first heard Fiona belt out “SEEK ME OUT! / LOOK AT, LOOK AT, LOOK AT, LOOK AT ME!” in “Daredevil” – voice cracking as she pounds her piano like a 5-year-old desperately seeking the attention of their parent, it became clear: this isn’t just lyrics and music. This is performance. Every word uttered drips the emotion that must have run through that pen onto the paper. The world created on this album is wholly of its own. Much like any great artist, it can’t be replicated. She lived it.
3. Dirty Projectors – Swing Lo Magellan
It’s not often a band occupies such a unique sound that it is indistinguishably and inarguably their sound. Dirty Projectors music accomplishes this with soaring & playful (yet incredibly technical) backing vocals from the angelic voices of Amber and Haley, guitar lines that feel like scribbles on a 5 years notepad, and lead vocals that constantly tether off the edge of complacency. This latest album’s goal from the eyes of main songwriting David Longstreth was the rein in some of these eccentric elements to create a more simple sound. The result to my ear sounds more like he has honed these eccentrics into an absolutely perfect pinpoint. It’s a fantastic starting point for new fans, because it also happens to be perhaps their best album to date.
4. iamamiwhoami – kin
While this album IS meant to be an audio-visual experience (see details on that below for my pick of “Music Video of the Year”) it still works remarkably well as solely music. This is best described as warped pop music with a darker edge. Pop elements are easily found in the vocals being front and center, synthesized beats, and catchy hooks – but the sum of it’s parts ends up feeling much deep than what you would hear in the top 40. singer/songwriter Jonna Lee sings vaguely about loss, existential musings about life, and loneliness in a landscape that has a darker landscape preventing it from ever really entering bubblegum territory. The production work is excellent, and each song pops as noteworthy and exciting.
5. Tame Impala – Lonerism
Usually when a band puts out an incredible first album, many assume the next can only falter by attempting to recreate the same momentum and sonic landscape of the previous album. With Tame Impala’s 2nd album “Lonerism”, while similar to the first album, is simply just as good. Instead of attempting to add some predictable bells and whistles in an attempt to expand, the sound of the band has been sharpened down to be even MORE effected, whacked-out, fuzzy throwback acid rock. This album doesn’t just sound like the 60s though, it sounds like the 60′s filtered through the future. if that sounds hard to picture its cause this album simply sounds sonically like nothing else. Mastermind/band leader Kevin Parker described the album as sounding as if you shot Britney Spears into outer space. It’s true. These are classic and insanely catchy pop tunes (ala The Beatles) but through so much webbing it feels like each song is reaching out and surrounding your entire body. An incredible and unmissable album.
6. Perfume Genius – Put Your Back N 2 It
“Honesty is the key” said every mom ever. But that can be hard to forget when consuming art. How honest were the intentions of the artist of your favorite masterpiece? It doesn’t get more obvious than the absolutely painfully confessional stark new album by Perfume Genuis (aka Mike Hadreas). The performances found on the songs feel like they are sometimes inches away from the pain they are talking about – with Mike’s fragile voice often sounding on the brink of a breakdown. It’s a heart wrenching album to listen to, but also one of the most memorable for the exact same reason. You kinda just wanna give Mr. Hadreas a hug once the album wraps up its somewhat short half-hour runtime. But hitting play all over again usually suffices.
7. Animal Collective – Centipede Hz
How do you follow up releasing a complete masterpiece? Well…with a still really good album. Sure it’s not a phenomenal Animal Collective album, but its still a great album by any (weird music lover) standards. No, I mean it – this album is pretty freaky. Whereas their previous effort “Merriweather Post-Pavilion” was loaded with their most accessible material they’ve ever released (and also their best in my humble opinion) this takes a 180. This is dense, fast, freaky, wild, eccentric, and just about the opposite of easy-listening. It might be startling at first, but there’s still a lot of warped-pop elements to grasp onto – they are just less immediately apparent.
8. Ariel Pinks Haunted Graffiti – Mature Themes
Ariel Pink is a total fucking nutcase. much like Animal Collective (see above), Ariel Pink decided to follow up his ‘breakthrough’ album which contained accessible (well…by Ariel Pink standards) tunes with some…insanely fun stuff. By which I do mean both insane AND fun in equal amounts. some choice lyrical moments found on the album “Suicide dumplings dropping testicle bombs” “She’s a nympho at the discotheque / she’s a nympho and I’m a lesbian” “Sorry said the fanny to the head / one-eyed Willie’s ghost is dead” “Blonde seizure bombshells and the blowjobs of death / bring on the bogan she-males hopped up on meth” so….umm…basically this is Frank Zappa for a new generation of freaks. The moment when you find yourself singing these catchy songs to yourself and smiling when you realize what the hell you’re actually saying is about when it all makes sense.
9. Chairlift – Something
This is one fun album. filled with some of the most overlooked pop hooks of the year, wild synth sounds, and (SERIOUSLY) some of the coolest set of music videos for one album I’ve ever seen, the album seems like it just begs to blow up. But alas it remains a not particularly hidden, but certainly not widespread gem. singer Caroline Polachek has an incredible voice ripe with character. It’s a perfect match for the 80′s vibe of most the album, but don’t get too stuck on thinking this album is too one-note. there’s plenty of variety and genre influences found throughout its memorable and insanely catchy tracks. Amanaemonesia exists somewhere between psych pop and Michael Jackson (…yeeeaaa), and the new wave pulse of “Met Before” is propulsive and full. The album isn’t only excellent from a songwriting perspective – the production is absolutely pristine and perfectly compliments this particularly fun set of tunes.
10. The Mars Volta – Noctourniquet
Notorious for over-indulgence and painting with just about every color of the sound rainbow, The Mars Volta to many are just too…dense. On this release, however, you may actually find something you don’t often find on a Mars Volta album: space and restraint. well…for Mars Volta standards. With the introduction of synths as a prominent feature on the album as well as excellent vocal hooks from singer Cedric Bixler-Zavala, this can act as an inviting album for people interested in exploring the dense catalogue of these prog-freaks. With the news of band-leader/guitarist Omar Rodriguez-Lopez moving onto a new (much more accessible) band called Bosnian Rainbows and publicly putting Mars Volta on hiatus, this may well also be the last Mars Volta album we hear for quite some time.
ESSENTIAL 5 SONGS OF 2012
1. “Amanaemonesia” by Chairlift
Just TRY to listen to this song without smiling and dancing. I dare you. Instantaneously catchy without feeling cookie cutter. One of those songs where EVERY single part from the verses, choruses, bridge, and and breakdowns are all equally incredible. This song is just zany wacky fun. It doesn’t get old.
2. “Apocalypse Dreams” by Tame Impala
What starts as a driving and punchy 60′s psych-pop jam with extremely catchy sweeping hooks as singer Kevin Parker sings “Nothing ever changes” soon…well, changes. Halfway through the song everything gets sucked into a vortex and pops out as a slowly turning colorful kaleidoscope jam that is equally hypnotizing and captivating. Droning away for minutes has never sounded so spectacular.
3. “Yet Again” by Grizzly Bear
Let this be a testament to absolutely superb songwriting. Grizzly Bear has never really slacked off in their brilliant ability to let every aspect of a song shine through by letting things breath and have their own sonic space. “Yet Again” is perhaps their greatest achievement to date in this regard. polished to a shine, this pristinely recorded song is absolutely filled with moments that just…click. An emotional and raw through-line is found with Ed Droste’s reverb soaked vocals, but just about every instrument in the song is the highlight. My personal favorite is when those claps come in distant and sparingly for the verses punctuated with a tambourine slap. Subtle touches like this make it easy to leave this one on repeat.
4. “Disparate Youth” by Santigold
Anthems can often feel contrived, but when listening to “Disparate Youth” it almost feels like Santigold accidentally stumbled into it…just about perfectly. The choruses open wide with synth pads, skittering drums, and vocals front and center saying “Oh-ah / We know that we want more / Oh-ah / A life worth fighting for”. It’s a propulsive moment for a song that never seems to dip below ‘insanely-addicting’. It’s one that stands at the top of just about anything that Santigold has ever done.
5. “Werewolf” by Fiona Apple
I often have a hard time zoning in on the lyrics of a song. Usually my brain focuses on the music at first and sometimes I never really get around to actually fully understanding what a song is even about. With Fiona Apple – it’s practically impossible to ignore. Her dramatic and emotional deliveries are often highlights of the song, and this songs clever wordplay and excellent delivery make it a standout track of an already outstanding album. Fiona takes jabs at a lost love and brainstorms perhaps why it fell apart, but punctuates each insult with an introspective look at how perhaps she’s the one to blame: “I can liken you to a shark the way you bit off my head / but then again, I was waving around a bleeding open wound”. The restrained and subtle uses of percussion, banjo, and a chorus of screaming kids all come together serendipitously to form a perfect crescendo of a piano and vocal led ballad.
UNMISSABLE 8 MUSIC VIDEOS OF 2012
1. “kin” by iamamiwhoami
It’s a no-brainer to give the best matching of visuals and music to the project that is BASED on giving their fans their content as an audio-visual experience right out the gate. this roughly 40-minute audiovisual album played out in an episodic fashion early this year with each song and corresponding visual chapter given out every fortnight over the course of a few months. The end product is an experimental visual piece with themes of loss, the struggle of structure vs chaos, and isolation – but of course there’s much left for interpretation. A woman awakes in a bleak hotel room and begins dancing with a hairy creature before slowly being sent down the rabbit hole into an alternate world of lush forests and sparse deserts. The cinematography and set design is nothing short of spectacular and relies very much on the tangible and only very sparing use of CG. The music, while certainly less experimental than the visuals, is equally captivating and attention-worthy. synth heavy trippy pop with a darker edge is all helmed by the animated and unique voice of Swedish singer Jonna Lee (who also stars as the main character in the visual component). It’s hard not be anxious for the next step in this consistently intriguing mysterious project. (For more on this artist check out my in-depth explanation of why there has never been a project done quite like this one)
2. “Amanaemonesia” by Chairlift
3. “Yet Again” by Grizzly Bear
4. “Met Before” by Chairlift
5. “Hi Custodian” by Dirty Projectors
6. “Tiny Tortures” by Flying Lotus
7. “First Time Ever I Saw Your Face” by The Flaming Lips
8. “Do It With A Rockstar” by Amanda Palmer
FAVORITE 6 FILMS OF 2012
(because the last four of my top 10 were just kinda ‘pretty good’)
1. Moonrise Kingdom
This film is Wes Anderson’s best film. Culminating all of the best aspects of what makes his films so endearing, memorable, witty, fun, warm, engrossing, and visually outstanding – the film is simply perfect back to front. I once heard someone say the film looked too “Wes Anderson-y” for them. I couldn’t help but be baffled by the irony of the statement. How can a film BY Wes Anderson be TOO “Wes Anderson-y”? The statement only acknowledges the sheer impact and uniqueness of the worlds he has created over the years. Moonrise Kingdom sits on top of all of his directorial works as the one I’m most likely to visit over and over again. An outstanding achievement of American cinema.
2. Seven Psychopaths
This film recalled Tarantino for me, yet here it sits just one slot higher than this years Tarantino original offering of Django. A bloody and brutal crime film that doesn’t stop being absolutely fucking hilarious and witty throughout its entire runtime. With the best casting in recent memory (Christopher Walken AND Tom Waits in the SAME FILM?? Along with a show-stealing Sam Rockwell) this film feels superbly fine tuned to be the years funniest film, while still being far more affecting than any comedy I’ve seen in years.
3. Django Unchained
SO Tarantino. This film is so completely Tarantino. Yea yea, he borrows from other filmmakers, references his favorite films, and can get a bit wanky sometimes – but that doesn’t stop his films from being some of the best theater experiences of their respective years. This film was no exception in proving that Tarantino is one of America’s best filmmakers. Using pre-civil war slavery as the backdrop, the film smartly swims it’s way through genre-bending fun and expertly written dialogue scenes that often feel more exciting than the explosive action scenes sparingly sprinkled throughout the films nearly 3 hour runtime. My favorite scene is an extended multi-part (and multi-layered) dialogue-driven dinner scene that probably spanned at least 20 minutes that had my undivided attention. The film isn’t really Tarantino at his BEST, but it’s still better than most things you’ll see this year.
4. Skyfall
This is one of the best Bond film’s I’ve seen, and might just be my personal favorite. I definitely got some vibes of The Dark Knight (not rises…I’m talking about the one with Heath Ledger’s Joker) in this one. An eccentric villain can only be stopped by an orphaned dude with gadgets? Dunno why it took so long for me to make the obvious connection, but in many ways Bond is like a super hero, and in this one especially, it feels very much grounded in a reality much like our own. It goes a little lighter on the action scenes and more into character, back story, and emotion (and that’s a GREAT thing). It almost felt like the franchise itself had become self-aware of the fact that Bond is perhaps becoming…outdated. ‘Do we really need secret agents when we have computers’ is a talking point in the film, but it also felt like a parallel to the franchise as a whole. Do cheeky spy flicks with gadgets, girls, and one-liners really matter? But it appears that by starting the concept of this film with “do we really need another Bond film?” has created a Bond film that actually feels fresh, modern and removed from some of its cheekier spy-movie elements. This isn’t just a great Bond adventure, it’s a great movie.
5. Cabin in the Woods
I love a film that is intensely hard to describe to people other than to say that it is unmissable and insanely fun. INSANELY fun. I mean it. A meta-genrebending-hilarious-horror film is my best attempt, but part of its charm is simply going into it WITHOUT knowing exactly what you’re getting into. Don’t let anyone spoil where this film ends up going, but rest assured – it’s not just your typical horror film as the trailer (and first act) may suggest. If you love horror films (good ones OR bad ones…and ESPECIALLY if you love both) this is an ABSOLUTE must-see.
6. Keep The Lights On
This hyper-affecting drama that spans over 20 years of a turbulent on and off relationship between two gay men in New York was perhaps the most realistic film I saw this year. While the main thing tearing apart the couple in focus here is drug addiction, it often doesn’t dwell on just that. These are two people who clearly love each other, but are also just struggling on a more basic level of whether or not they are right for each other – despite their love for one another. It’s no surprise the film is partly autobiographical of the writer-director because the film is at times an unsettling realistic portrayal of a couple picking the scabs of the wounds struggling to heal between them. Also of note is the music of the film; which is almost entirely done by the late experimental-folk cello player Arthur Russell which adds a subtle underlying emotional landscape beneath the grainy and sweeping cinematography.
Top 10 Films of 2011
10. Lotus Eaters
written & directed by Alexandra McGuinness
When I first saw the trailer for this film I thought to myself “looks sorta like that TV show ‘Skins‘” (of which I mean the original British version…don’t even get me started on the American MTV bullshit remake) and I wasn’t entirely off base. This film is sex, drugs, and rock and roll – plain and simple; but it does so with heart and searing visual flair. It all made sense in the Q&A after the screening when writer/director Alexandra McGuinness explained that she had a background as a stylist and a large interest in fashion, because the way this film is photographed is a bit reminiscent of classic fashion photography. “Lotus Eaters” follows a group of young upper class brits living their life in that aimless cycle that we all at some point or another fell into in our teenage years. At the center is a blooming yet turbulent relationship between two of the main characters Alice and Charlie, the latter of which has a bit of a drug problem.
The movie spirals around their lives as if a fly on the wall taking you from one situation to the next, whether it be a wild party with vodka-baths, or buying ridiculous clothing accessories. The movie is lean at just 78min, and is pretty light on plot but heavy on character. It was the last act of the film that really just had me hooked. Once the wave finally crashes down on the never-ending party these lads live, it begins to take a more pensive route. One that ultimately ends up making this film a wild ride. Top that off with Alexandra’s seriously kick-ass taste in music (I’m talking best soundtrack of the year) and seemingly instinctual mastery of blending visuals with music and you end up with a fascinating gem of a feature debut.
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9. The Tree of Life
written & directed by Terrence Malick
I would just as quickly warn people to never watch this film almost as much as I would plead others to. Its glacial pacing, stream-of-consciousness structure, over two-hour runtime, and minimalistic story will probably have unsuspecting filmgoers instinctually reach in their pockets for a quick few rounds of Angry Birds as they pan it for being too artsy. I often wonder if films of this nature will slowly become extinct as our collective attention spans dwindle into the length of adorable-kitten videos on YouTube.
At any rate, this film propelled me into a rather pensive funk for the proceeding few days after seeing it. What ended up being so note-worthy was its unbelievably accurate depiction of how we remember our lives, and more specifically our childhood. Textures, smells, inconsequential moments, or snapshots of seeing the world when you were two feet tall. These moments bubble to the surface, often without too much context of what came before or after it, or even what age you were. ‘The Tree of Life’ plays out much in the same way. After the introduction of a 1950′s family grieving a loss, we are transported back in time…you know to the big bang. Upon witnessing the very formation of life itself, we eventually catch back up to what most would consider the main ‘plot line’ of this freeform existential journey. The film is visually astounding. I mean serious eye candy. Captured images of profound greatness. Do you get what I’m saying? Pop this one in after a nice bubble bath, or perhaps a few hours of meditation because this isn’t a film that’s gonna quiet a restless mind.
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8. The Girl With The Dragon Tattoo
directed by David Fincher
It’s not often phenomenal filmmakers have turn around time between films as quickly as Fincher. After releasing “The Social Network” in October 2010, he’s already back with his next project which slides snuggly in next to other Fincher classics like “Se7en“, “Fight Club“, “Zodiac“, and “Curious Case of Benjamin Button“. Yeah, this guy has certainly been busy making some of the greatest films of the last 10 years. It’s well known that ‘Dragon Tattoo’ is a remake of a 2009 Swedish film, leaving many to wonder just why the film is so necessary. While I more often than not join the rally of ‘leave great foreign films alone!’ (as I did when they remade the brilliant Swedish film “Let The Right One In“) I can’t help but make an exception if the film is helmed by a visionary director such as Fincher.
But enough about all that, this movie is badass. Rooney Mara as Lisbeth, the damaged and strong anti-heroine, glues your eyes to the screen and demands your attention in one of the years best performances. As far as tone goes, this mystery thriller focuses much of its drama on the slow unraveling of the murder mystery at its core and refrains from loud set-piece-destroying action sequences. It’s very much akin to Fincher’s more recent work of “Zodiac” and “The Social Network” where he has been seriously flexing his ‘make long dialogue scenes way more gripping then any standard action scene would be’. To top it off, his frequent cinematographer Jeff Cronenweth paints stunning visuals into each frame with his uncanny eye for visual perfection. Trent Reznor’s score is yet again a perfect pairing to the visuals, and keeps the sense of menace and dread up even when really all we’re watching is our main characters flip through old news articles and investigating every corner of a photograph. That is what filmmaking is all about.
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7. Submarine
written & directed by Richard Ayoade
OK, I can’t argue it. We’ve all seen a quirky coming-of-age love story before, however ‘Submarine’ manages to rise above its own framework to offer a comedy with outstanding characters, emotional depth, and a so-british-it-hurts style humor for the 2011 generation. The film sinks its teeth deep into the visual medium its presented in with a fresh and lively style. Consistent across the writing, cinematography, directing, and editing the film hits its tone so perfectly on all ends it becomes hard to not be swept away in its heightened reality. 15-year-old Oliver Tate is wise beyond his years, and his hilarious introspective internal rants give us a great sense of the depth of his character. Character is something this film packs in by the tons. Each player in this tale has a perfect array of flaws, quirks, and oddities that make each scene a joy to watch as more layers are peeled back. A classic love story told in an unconventional way. Its odds and ends make this an addicting watch.
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6. Hesher
directed by Spencer Susser
It’s hard to pinpoint exactly what about this depraved dark comedy I found just so outrageously hilarious. In many ways, it’s the sum of its parts, but truly the comedy orbits the hysterically straight-faced performance of Joseph Gordon-Levitt as the aimless stoner metal-head deadbeat Hesher. His unapologetically don’t-give-a-flying-fuck attitude accidentally finds its way into a grieving family of three mourning the loss of mama-bear. It’s dark tone is played for laughs on just about every turn of the story, and does so without shame. Despite its mostly bleak tone, Hesher keeps things energetic and entertaining with seriously fantastic performances, killer writing, and well-rounded characters. Hesher is filmmaking turned up to 11. In fear of over-complicating things, it’s easiest to say: this film fucking rocks.
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5. Martha Marcy May Marlene
written & directed by Sean Durkin
Don’t call it a cult film. OK, you can if you want, but interestingly director Sean Durkin prefers that the misguided and reclusive group that begins molding Martha’s mind to do the ‘right’ thing unconditionally not be so attached to the classical definition of a ‘cult’. I think really what he’s getting at here is that “Martha Marcy May Marlene” is a ‘cult’ film without the over the top cheesy elements involved. Don’t expect any sacrificial lambs, speaking in tongues, and velvet robes in this one. This is a group that could very well exist in our modern world, and is unnervingly easy to see how someone in a vulnerable state of mind (i.e. Martha) could find solace and a sense of community among her new-found brothers and sisters. This is crucial in understanding just what makes “MMMM” so powerful and truly chilling. Powerhouse performances from Elizabeth Olsen as Martha as well as John Hawkes as Patrick, the ‘cult’ leader, make this a serious knockout of a feature-length directorial debut. The film is firmly grounded in reality, while Martha struggles to understand her own. smoothly transitioning between her life since escaping the cult and the deep-rooted memories from when she was still a part of it make you as the audience sometimes question what is a dream, memory, or is really happening. The audience is constantly trying to make sense of the events and what it will mean for Martha’s transition to life in our normal society. You never really know more than Martha, down to this brilliant film’s final frame.
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4. The Future
written & directed by Miranda July
Miranda July is odd. If you haven’t seen her video blog, watched her interviews, listened to her audio-stories/spoken word albums, or seen her debut feature “Me and You and Everyone We Know” (which along with ‘The Future’ she wrote, directed, and starred in) then it may be a bit hard to judge whether “The Future” is going to be your thing or not, but suffice to say it’s another addition perfectly in line with her off-kilter humor mixed with child-like wonder. In other words it’s brilliant. Describing the plot of the film actually doesn’t do much good in enhancing your understanding of what this film is truly about. Sure it involves love, modern-day dilemmas of technology, existential mid-life thoughts, and a talking cat – but really this film is more about then that. Absorbing the film into your mind offers you a rather insightful tale of…well…life. despite its abstracted fun-house mirror presentation, this film at its core is a grounded and relatable human story. Miranda July has often been discredited to just being ‘weird for weird’s sake’ but in truth what makes ‘The Future’ just so inciting is wondering just how it is that Miranda July is going to present the next scene. Her unique penchant for storytelling makes her work less about trying to figure out WHAT will happen next, but more so HOW it will happen. Call it weird, but I call it transcendent.
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3. Melancholia
written & directed by Lars Von Treir
‘A beautiful film about the end of the world’ is this films tagline, and there truly isn’t a better way to sum it up. When was the last time you saw a film about the end of the world that doesn’t show people rushing into stores to stock up on supplies, frantic newscasters warning people to stay inside, the Golden Gate Bridge being destroyed, impossible scientific experiments like lasers that can destroy asteroids without any debris entering earths atmosphere, or Bruce Willis. In Lars Von Trier’s (Antichrist, Dogville) latest film, he explores the real emotions of a handful of characters as they begin to come to terms with the fact that their lives, and the lives of all human beings on earth might soon be coming to an end. The uncertainty of the situation and the wide personalities of the four main characters here cast a relatable shadow in the audiences direction. Would you be the one to doubt it until the last minute? Accept it and enjoy your final moments? Panic and convince yourself there must be a way to stop it? Fantastic performances from Kirsten Dunst and Charlotte Gainsbourg blended with the unmistakable cinema-verite style of Lars Von Trier’s eye as well as his latest obsession with super-slo-mo imagery make this film remarkably powerful and existential.
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2. Life in a Day
directed by Kevin MacDonald
It’s always refreshing when films are able to take you beyond the simple presentation of a story, and Life in a Day does just that while still remaining captivating and interesting. ‘Life in a Day’ essentially boils down to being a 95min video time capsule of what life was like for humans around the world on June 24th 2010. The result is both fascinating and deeply thought-provoking. Pieced together from thousands of clips that were submitted by people from around the world filming their day, this is a project unlike any other before it. By eliminating the arguably invasive film crew from this documentary, and handing the camera over to the subjects themselves (i.e. everyone on earth) we get undeniably candid and personal moments that would otherwise be stifled by a bunch of film dudes making sure the shot looks good on the other side of the room. When I say this film is beautiful, I’m not talking about the camerawork, lighting, or visual effects – I’m talking about the deep undercurrent of human feeling this film has sewn throughout its running time. In watching this film, you’re sure to find connections to your own life and raise some questions about how you’re living it. It’s an experience that will happen for those willing to open themselves up to it. This film rewards audience members who allow this film to absorb into their minds. It turns out it’s one of the most rewarding experiences that film has provided this year.
MY FULL REVIEW OF THIS FILM was published on TwitchFilm and The Evening Class.
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1. We Need to Talk About Kevin
directed by Lynne Ramsay
This film is impossibly twisted, unmistakably unsettling, and far beyond just ‘dark’. Often picking my ‘favorite’ films just comes down to the visceral feeling a film gives me. After all, a truly effective film is the kind of film that literally gives you chills, or overwhelming emotion that lingers hours, days, sometimes weeks upon seeing it. So it was a no-brainer for me to place “We Need to Talk About Kevin” firmly at the top after experiencing what can only be described as a ‘my skin is crawling’ moment during the closing credits. This film is NOT for everyone. For example: children, people interested in seeing movies to escape/feel good, or people who would not like to be aware of the irreversibly fucked-up scenario of raising a child that has serious psychological problems. So its audience is a little limited.
The deranged insanity of the demon-child in question ‘Kevin’ is actually played by three actors at different stages of his life. toddler, adolescent, and teen. While the adolescent Kevin does have the most screen time, it will undoubtedly be the teen Kevin (played by Ezra Miller) who will give you death-stares in your nightmares. In fact it’s not just his performance that stands out as exceptional, but his mother Eva (played by Tilda Swinton) as well. The complex emotions of Eva that drive the fractured narrative through its depraved story of the constant search for a normal life catapult this film into territory of universal fear and doubt of ones abilities as a human. It’s a rough ride for your psychological state, but this film is dementedly visceral and unmissable for anyone willing to stomach it.
The First Screening of “Nuclear Family”: Viz Cinema in SF
Last night marked the first time “Nuclear Family” has been shown to anyone beyond a small handful of classmates – and the support for the film is quite simply overwhelming and humbling. Before discussing the night, I just want to thank every person that was able to come out last night and fill the Viz Cinema in SF’s Japan Town to the brim. Seats went quick, and many people stood through the whole screening. You guys made the night what it was. As I’ve said before, YOU all are the reason I make films. It’s for nights like last night.
Looking back on yesterday makes it feel like it was weeks ago. The anticipation and nerves before the screening made the day go by at a snail’s pace. As 7pm approached – the seats of the Viz Cinema began filling up extremely quick. By the time the films began the theater was completely filled and people were beginning to stand in the isles waiting eagerly to see the 5 short films of the night. From my end of things – my heart was racing, and I was clenching my plastic water bottle with extreme force. Yeah, I was pretty nervous.
The screening went on with a great crowd who was receptive to each film.
Between One and Two by Matt Rome – A love story of a couple who meet over the course of a night in SF
My Sherri by Carlo Barot – a twisted love tale almost void of dialogue. truly a visual film.
Forever, ATM by Wilfred Galila- A quirky tale of a man who falls in love with an ATM machine and in the process learns how to feel again.
Keeping it Reel by Dana Shaw- Four legendary San Francisco filmmakers examine the art of filmmaking and debate digital technology’s affect on their craft.
After the other four fantastic short films, Nuclear Family began playing on the screen and I immediately felt the strange sense of nerves and excitement reach the boiling point. Watching the film on the big screen was an extremely exciting and overwhelming experience. The audience responded well to the film, and it was a fascinating experience to see how certain moments of the film played off the audience.
When the film finished up there was a Q&A session, which I was pretty nervous about, but after a few questions was able to calm down and give more in-depth answers to the questions. Got asked things like where the film was shot, how many days it took to shoot, techniques I used for working with actors, the process from script to finished product, and if the film was autobiographical. After the Q&A I was able to talk with people on an individual basis about the film, and received a great amount of feedback about the film.
Last night was one of the best nights of my life. This movie is the closest to my heart of all my films, and to finally be able to share it with others is what I’ve wanted even since beginning to chart out the characters back in Summer 2009. It was inspiring to see so many people there, and receive so much positive feedback about the film. It makes me eagerly await the opportunity to create my next film.
For those unable to make it last night, there will be future opportunities to see the film. Most likely the next one will be in Mid-June. Check back to this blog for all the updates along the way. Last night is simply the first step to getting this film to the eyes of as many people as possible.
IF YOU ATTENDED THE SCREENING and would like to rate the film from 1-5 stars and optionally write a short review of the film – I strongly encourage you to do so. Simply click HERE and let people know what you thought!
-Dominic Mercurio
REVIEW: Tame Impala – “Innerspeaker”
Tame Impala - Innerspeaker
TRACKLIST:
1. It Is Not Meant To Be
2. Desire Be Desire Go
3. Alter Ego
4. Lucidity
5. Why Won’t You Make Up Your Mind?
6. Solitude Is Bliss
7. Island Walking (iTunes bonus track)
8. Jeremy’s Storm
9. Expectation
10. The Bold Arrow Of Time
11. Runway, Houses, City, Clouds
12. I Don’t Really Mind
Innerspeaker, the new album from new nostalgic psychedelic group Tame Impala, is one of my favorite albums of 2010 thus far. This Australian group might garner some relation to fellow Aussies – Wolfmother, but rest assured these guys are occupying a whole new breed of retro-rock. The album is trance-inducing with its grooves, while in your face and full with its all-encompassing mixing. guitars frequently pan around your head like jets overhead flying through clouds perhaps a bit smokier then your average cumulus. This album is absolutely drenched in sonic soundscapes of thick walls of crunching lo-fi guitar riffs. The bass grounds the music into its skeleton with melodic thumping trance-like lines. The drums are barreling and immediate in their execution and will plummet your body into pulsing with them. The vocals are some spaced-out otherworldly harmonies that will have you singing along. This album, while nothing groundbreaking, does quite a lot of things pitch-perfectly right.
REVIEW: MGMT – Congratulations. also, Carrots.
MGMT’s first album “Oracular Spectacular” is on a short list of amazing albums of near-perfection for me. Upon saying that, “Congratulations”, their follow-up, is an album that stands on its own in the MGMT catalogue (you can call it a catalogue after 2 albums…right?) and will disappoint some, and surprise everyone.
